Registered charity

Theatre Passe Muraille

Legal name on the register: THEATRE PASSE MURAILLE

CA-E-V50J-J1RFFormerCanada (federal)OntarioToronto3 independent sources

$1.5MRevenue reported

$445KPublic money on record

13On the board

3Organisations connected

1Municipal licences

3Independent publishers

89/100Evidence depth

October 25, 2026Latest source capture

On the record

Identifier: CA-E-V50J-J1RF
Address: 16 RYERSON AVE, TORONTO, ON, M5T 2P3
Earliest record: January 1, 1977

Identifiers held

Charity registration: 119214344RR0001
Business number: 119214344
Toronto licence: B70-0002256

Evidence depth

89/100

Deep record

This scores the depth of the public evidence assembled here. It does not score the organisation’s quality, reputation, solvency or risk. The formula is fixed and reproducible. See the formula.

Identityregistrations and identifiers

Operationsmunicipal licences

Filed figuresfinancials or workforce

Public moneycontracts or grants

Relationshipsfiled board or organisation links

Qualificationsstanding offers or supply arrangements

Public activitypermits and recorded work

Regulatorydecided findings

Dated historyevents with effective dates

Additional graph evidence outside the score: 3 organisation connections.

Public footprint · version 1

Where this organisation appears in public records

Eight independent dimensions describe the size and shape of the evidence. They are deliberately not added into one company score: a licence, a grant, a director filing and a court finding mean different things.

Footprint is not performance.

A larger bar means more public records of that kind. It does not mean better, worse, safer, larger, more profitable or more reputable.

Identityregistries, identifiers and corroboration

Operationslicences and operating places

Filed disclosurepublic financials and workforce

Public moneycontracts, grants and contribution records

Public activitypermits and recorded work

Relationshipsfiled board and identifier-linked organisations

Regulatorydecided public findings

Historydated span and recorded events

Each dimension uses fixed, logarithmic caps so one dataset with thousands of repeated rows cannot drown out every other fact. Read the formula and limits.

Registrations

Registrar	Instrument	Number	Registered	Status
Canada Revenue Agency	Registered charity	119214344RR0001	—	Registered

Municipal licences (1)

Place	Category	Number	First issued	Status
Toronto	ENTERTAINMENT PLACE OF ASSEMBLY	B70-0002256	January 1, 1977	Issued

A licence records permission to operate. It is issued by a municipality, not by a corporate registrar, and its presence says the organisation traded at that address on that date — nothing about whether it does today.

Board and officers on record (13)

Name	Position	Serving since	Status
Jordan Crocker	SECRETARY	December 11, 2023	current
Azeem Nathoo	DIRECTOR	December 11, 2023	current
Roni Hoffman	DIRECTOR	June 12, 2023	current
Jeffrey Chan	CHAIR	April 23, 2023	current
Jennifer Beer	DIRECTOR	March 27, 2023	current
Sandra Hawken	DIRECTOR	March 27, 2023	current
Tyler Tong-mcdermott	DIRECTOR	October 2, 2022	current
Avinash D'souza	DIRECTOR	November 29, 2021	current
Lynn Stivaletti	DIRECTOR	November 1, 2021	current
Ljiljana Stanic	VICE-CHAIR	October 26, 2020	current
Ramsay Alwani	DIRECTOR	April 27, 2020	current
Susan Moellers	DIRECTOR	January 23, 2017	current
Janice Alvares	DIRECTOR	November 23, 2020	ended October 2, 2023

Filed by the charity itself with the Canada Revenue Agency, under the Open Government Licence. This is the narrowest slate the source publishes — name, position, and tenure only; no address, phone, or email exists in the file to withhold. Why this is published and directors’ home addresses never are.

Organisations sharing a filed director name (3)

Every one of these rests on a single name in common, which is the weakest form this evidence takes — read them as leads, not findings.

Organisation	Kind	Names in common
Coquitlam Christ Church Of China CA-E-GW0N-CD4W	Registered charity	1
Holland Bloorview Kids Rehabilitation Hospital Foundation CA-E-R969-A7PF	Registered charity	1
The Canadian Foundation For Economic Education CA-E-J37J-XEJD	Registered charity	1

One name in common is a lead. Two is a link. These come from the director names each organisation filed with the Canada Revenue Agency, matched exactly as filed, and two people can share a name — across the whole corpus 95% of these rest on a single name, so a single match is genuinely weak evidence and is presented as such rather than dressed up. Two of the same names on the same pair of boards is a different matter: coincidence stops being a plausible explanation. A name appearing on more than eight boards is discarded outright as a probable collision.

The link is between organisations and carries only a count. Which people sit on which board stays on each organisation’s own page, exactly as the CRA published it, and there is deliberately no way here to search by a person or to list what one individual is involved in. Why that line is drawn there.

What it raised and spent — year ended June 30, 2024

Total revenue: $1,455,894
Total spending: $1,686,294
Total assets: $626,649
Total liabilities: $557,579

Receipted donations: $3,873
From other charities: $245,118
Granted onward: $7,174

Charitable programs72.0% · $1.2M · line 5000

Management and administration24.9% · $419K · line 5010

Fundraising3.1% · $52K · line 5020

These are the charity’s own figures. They come from the T3010 return it filed with the Canada Revenue Agency, which is a statement the organisation makes about itself rather than an audit or an assessment of it. They are also a single year: a charity that received a capital gift, sold a building, or ran a campaign will look unlike itself.

A low share spent on programs is not by itself evidence of anything. Fundraising costs money, a year of building a reserve looks like underspending, and grant-making foundations pass money onward rather than running programs. The lines are shown as filed, with the CRA line numbers, so a reader can check them against the return.

Public money on record

Federal grants and contributions

$444,508

across 10 agreements, 2018–2025

2018$50K

2022$140K

2023$25K

2024$51K

2025$180K

Paying institution	Awards	Value
Canadian Heritage	5	$343,697
Employment and Social Development Canada	5	$100,811

Value as published, not money paid. The federal contract value field includes the ceiling of standing offers and supply arrangements — purchasing capacity a department may never draw on. A large figure here can mean a large ceiling rather than a large payment.

Awards are attached to this record only where the evidence identifies exactly one organisation: a name and postal area that narrow to a single company, or a name unique across the whole national corpus. Proactive publication truncates the vendor postal code to three characters, so anything that could belong to more than one company is left unattached rather than guessed at. Totals are a floor in that direction. The full rules.

What it does

Licensed as: ENTERTAINMENT PLACE OF ASSEMBLY

Trade and licence class are the publisher’s own words, kept as written rather than mapped onto a vocabulary of this site’s invention — a Calgary “RESTAURANT” and a Montréal “Restaurant service rapide” describe the same thing and are not the same string, and pretending otherwise would put words in a city’s mouth.

Timeline

April 21, 2025Federal grant — Employment and Social Development Canada$5,563
April 1, 2025Federal grant — Canadian Heritage$80,000
April 1, 2025Federal grant — Canadian Heritage$94,000
May 13, 2024Federal grant — Employment and Social Development Canada$10,707
April 1, 2024Federal grant — Canadian Heritage$40,000
March 30, 2023Federal grant — Employment and Social Development Canada$24,550
April 1, 2022Federal grant — Canadian Heritage$67,500
March 14, 2022Federal grant — Employment and Social Development Canada$9,991
January 10, 2022Federal grant — Canadian Heritage$62,197
February 15, 2018Federal grant — Employment and Social Development Canada$50,000
January 1, 1977Licence first issued — ENTERTAINMENT PLACE OF ASSEMBLY

Why this is one record

5 public datasets from 3 independent publishers describe this organisation. They were joined into one record because the evidence below agreed — never on a matching name alone.

Same name and postal code M5T 2P3
asserted by Canada Revenue Agency and City of Toronto (Municipal Licensing and Standards)
Same name and address — 16 ryerson, toronto, ON
asserted by Canada Revenue Agency and City of Toronto (Municipal Licensing and Standards)

An automatic merge requires a shared business number, or a matching name AND address — never a name by itself. How resolution works.

Where this record comes from

Dataset	Last captured	Cadence	Coverage kept	Health
Registered charities — directors and officers (2024 returns) Canada Revenue Agency · Open Government Licence – Canada	September 2, 2026	P1Y	1 captures · 0 comparisons	current
Registered charities — financial data (2024 returns) Canada Revenue Agency · Open Government Licence – Canada	September 5, 2026	P1Y	1 captures · 0 comparisons	current
Registered charities — identification (2024 returns) Canada Revenue Agency · Open Government Licence – Canada	September 8, 2026	P1Y	2 captures · 1 comparisons	current
Proactive disclosure — federal grants and contributions Treasury Board of Canada Secretariat · Open Government Licence – Canada	September 3, 2026	P3M	1 captures · 0 comparisons	current
Toronto business licences and permits City of Toronto (Municipal Licensing and Standards) · Open Government Licence – Toronto	October 25, 2026	P1D	10 captures · 9 comparisons	current

Freshness is measured, not implied. “Last captured” is when this project last completed a read of the whole source dataset. “Coverage kept” is how many immutable captures and meaningful capture-to-capture comparisons are available. A missed day remains an explicit gap; a later snapshot cannot tell us what happened inside it. See every source.

This page is assembled from open data. It is not an official record, and the registrar is authoritative where the two disagree. How records are assembled.

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